Characteristics of wheat in the novel of break-ups. Character story

In the novel "" Goncharov creates two female images, which at one time, completely differently influenced the main character - and his inner world. Oblomov has feelings for both women, but they are completely different and not similar.

Olga Ilyinskaya is a woman who diligently tried to awaken life and activity in Oblomov. She made every effort to save the main character from laziness and constant apathy.

- bright and full of vital activity. She was smart and self-reliant, proud and patient. She appears in Oblomov's life, like a ray of light that can lead out of darkness.

The relationship between Olga and Ilya Ilyich began simply as friendly, but eventually grew into love. A woman experiences feelings of love for Oblomov and he reciprocates her. She is interested in the idea of ​​the revival of Ilya Ilyich. For her sake, Oblomov commits acts crazy for his nature - he goes to theaters and museums, climbs a hill for his beloved. He forgets about his favorite dressing gown and starts sorting through the clothes. The main character is changing before our eyes.

Feelings of love and sympathy change Olga herself. Each time, new traits of her character are revealed to us. She acted at the behest of her heart, not paying attention to social foundations, and the rules of public etiquette.

In exchange for her activity, Olga demanded from Oblomov such a bright activity. But Oblomov was scared of this. He could not break his lazy inner core, and the relationship between Olga and Ilya Ilyich ends in goodbye.

Another female image was the persona of Agafya Pshenitsyna. This image is completely opposite to Olga Ilyinskaya. Agafya is a wonderful hostess, her house is clean and tidy. But spiritually, the woman was not very developed. Agafya Pshenitsyna helped Oblomov to run the household, she took care of Ilya Ilyich, did all the work for him, all his orders. She was close to Oblomov in terms of the nature of her life.

We see in her the image of a caring mother who is busy with the main character. Agafya Matveyevna loved Oblomov, but she hid her feelings inside. She gave the main character peace, tranquility and silence. This is what he appreciated in such an economic woman.

After marrying Agafya Pshenitsyna, Oblomov's spiritual development and active life became dull again and died inside the protagonist. With her care, the woman completely protected Oblomov from any activity.

Two female characters were on the way of the protagonist. Olga wanted to revive and save Oblomov. But Agafya led his inner world to complete destruction.

Agafya Matveevna Pshenitsyna, nee Mukhoyarova, is a character in Ivan Goncharov's novel Oblomov. The wife of the protagonist - Ilya Ilyich Oblomov - and the mother of his little son Andryusha.

The woman was the sister of the machinator-official Ivan Mukhoyarov. Before her marriage to Oblomov, Agafya was the widow of another official, and therefore bore the name of Pshenitsyn at the time of her meeting with Oblomov.

Characteristics of the heroine

Agafya Matveyevna was hardworking and constantly tried to please her lover, and then her husband. She liked to say that "there is always work." She did not allow herself to relax: "And it used to be that everything is boiling in her hands! From morning till night she flies!"

The heroine sought to create comfort in the house and protect her loved one from unnecessary efforts. And first, an acquaintance, and then her husband, Ilya Ilyich, appreciated Pshenitsyna's diligence: "You are a glorious mistress!"

However, Agafya was not distinguished by erudition and high intelligence. She barely knew how to read: "She only found it difficult that it took a lot to write ... she signed crookedly, obliquely and large ..." This can be explained by the fact that the woman did not like to read. Let us recall her negative answer to the question: "Do you read anything?" In addition, she practically never went to the theater and was not interested in culture.

(Ilya Oblomov meets his future wife Agafya Matveyevna)

The simplicity and ingenuity of this woman is emphasized even by her surname from her first marriage - Pshenitsyna. Ilya Oblomov's wife was gullible. She could sign the letter, completely "not knowing what it is and why she is signing."

Despite this, the lady tried to do a kind of business - she traded in chickens. Apparently, enterprise still united her with her brother. Although Pshenitsyna, unlike him, honestly worked and got up early in the morning: "she goes to bed - and no gun will wake her up until six o'clock."

Like her second husband, Agafya Matveyevna was a homebody and did not like moving. "They were born here, lived for a century, here you have to die ..." - she used to say about her estate. Ilya Ilyich previously treated his native Oblomovka in about the same way. He hardly forced himself to leave even for a meeting with his friend Andrei Stolz.

Moreover, the author noticed that it was Oblomov who first fell in love with Pshenitsyna. Apparently, she did not feel such feelings for her late first husband and father of her two older children: "Not loving, she lived to be thirty, and then it suddenly seemed to come upon her."

The image of the heroine in the work

Agafya Matfeyevna is a thirty-year-old impoverished aristocrat. IA Goncharov describes the heroine as follows: “She was very white and full in her face. blue lived. "

Hard work-out hands emphasize the character's love for work. Completeness means that the lady did not care about her appearance. A simple Russian woman appeared before us. It was this, caring and economic, not too smart, and she attracted Oblomov.

(Agafya Petrovna, Ilya Oblomov and son Andrei, named after Andrei Stolz based on the novel)

The image of Agafya Matveevna, it would seem, is absolutely positive. Caring wife, affectionate mother, excellent housewife and just kind and hardworking woman. However, the writer still emphasizes: her love turned out to be fatal for Ilya Oblomov. To avoid a second stroke (apoplectic stroke), Pshenitsyna's husband had to move, get up from his favorite couch. However, his wife did not allow him to make any efforts. She cared about the absolute comfort of her beloved man. And that was exactly what became the tragic mistake of a loving wife. The apoplectic stroke was repeated, and Ilya Ilyich nevertheless died.

However, the author still gives hope that Pshenitsyna understood her mistake. After all, it is not without reason that she gave her son to the upbringing of Ilyinskaya and Stolz. The mother wanted the child to see the example of other people and a different life. She wished that Andryusha, unlike his late father, learned to leave the comfort zone and go towards his dream.

After all, Oblomov lost his once beloved Olga Ilyinskaya precisely because of his own laziness. And Ilya Ilyich himself was aware of this. Perhaps that is why his little son Andrei was the namesake of his active friend Stolz ... Therefore, Pshenitsyna, having entrusted the child to the friends of her late husband, did the right thing. She knew that he would approve of her decision ...

OBLOMOV

(Roman. 1859)

Pshenitsyna Agafya Matveevna - the widow of an official who remained with two children, the sister of Ivan Matveyevich Mukhoyarov, the godfather of Tarantiev. It was Tarantyev who settled Oblomov, who was forced to look for a new apartment, in P.'s house on the Vyborg side. “She was about thirty years old. She was very white and full in her face, so that the blush, it seems, could not break through her cheeks. She had almost no eyebrows at all, and in their places were two slightly puffy, glossy stripes, with sparse blond hair. The eyes are greyish-ingenuous, like the whole facial expression; the hands are white, but tough, with large knots of blue veins protruding outward. "

P. is taciturn and is used to living without thinking about anything: “Her face took on a sensible and caring expression, even her dullness disappeared when she started talking about a familiar subject. To every question that did not concern any positive goal known to her, she answered with a smile and silence. " And her grin was nothing more than a form that covered her ignorance of the subject: not knowing what she had to do, accustomed to the fact that everything was decided by her “brother”, only in skillful management of the house did P. achieve perfection. Everything else passed by the undeveloped mind for years and decades.

Almost immediately after Oblomov's move to the Vyborg side, P. begins to arouse some interest in Ilya Ilyich, which can be regarded as purely erotic (the hostess's round white elbows, constantly attracting Oblomov's attention). But the solution awaits at the end of the novel, when, shortly before his death, Ilya Ilyich has a dream where his mother, pointing to P., whispers: "Militrisa Kirbitievna." She calls the name of his dream, inspired by Ilya Ilyich in early childhood, nanny tales.

The image of P. never aroused particular interest among the critics of the novel: his nature is coarse, primitive, which they are used to looking at only through the eyes of Stolz, as a terrible woman symbolizing the depth of the fall of Ilya Ilyich. But it is no coincidence that Goncharov gives this simple woman a name close to the name of his beloved mother - Avdotya Matveyevna Goncharova, a merchant widow who for many years lived in the same house with Goncharov's godfather, the nobleman N.N. Tregubov, who raised her sons and gave them education.

P. is in constant motion, unlike Oblomov, realizing that "there is always work" and that it is the real content of life, and not at all a punishment, as was believed in Oblomovka. Her incessantly flashing elbows attract Oblomov's attention not only with her beauty, but also with the activity of the heroine, which he does not fully realize. Outwardly, P. is perceived as a kind of perpetuum mobile, without thought, without a glimmer of feeling, “brother” calls her nothing more than “cow” or “horse”, seeing in her sister only free labor. “At least hit her, at least hug her - everyone is grinning like a horse on oats,” he says to his godfather Tarantiev, preparing, on the latter’s advice, to hunt down P.’s relationship with Oblomov and demand money from Ilya Ilyich “for dishonor”.

Gradually, as Oblomov realizes that he has nowhere else to strive, that it was here, in a house on the Vyborg side, that he found the coveted order of life of his native Oblomovka, a serious internal change takes place in the fate of P. herself. She finds the meaning of her existence in the constant labors of arranging and living at home, in the chores around the house. In P. began to awaken something unknown to her before: anxiety, glimpses of reflection. In other words - love, deeper and deeper, pure, sincere, not able to express itself in words, but manifested in the fact that P. knows and knows how: in taking care of Oblomov's table and clothes, in prayers for his health, in sitting at night at the bedside of the sick Ilya Ilyich. “Her entire household ... has received a new, living meaning: the peace and convenience of Ilya Ilyich. Before she saw it as a duty, now it has become her pleasure. She began to live in her own way, fully and varied ... She seemed to suddenly switch to another faith and began to confess it, not arguing what kind of faith it is, what dogmas it contains, but blindly obeying its laws. "

Oblomov for P. is a person from another world: she had never seen such people before. Knowing that ladies and gentlemen live somewhere, she perceived their life in approximately the same way as Oblomov listened to the fairy tale about Militris Kirbityevna in childhood. The meeting with Oblomov served as an impulse for rebirth, but the culprit of this process “did not understand how deeply this meaning took root and what an unexpected victory he made over the hostess's heart ... And P.'s feeling, so normal, natural, disinterested, remained a secret for Oblomov, for those around her and for herself. "

Oblomov "drew closer to Agafya Matveyevna - as if he was moving towards a fire, from which it becomes warmer and warmer, but which cannot be loved." P. is the only absolutely disinterested and decisive person in Oblomov's entourage. Without delving into any difficulties, she does what is necessary at the moment: lays her own pearls and silver, is ready to borrow money from the relatives of her late husband, only so that Oblomov does not feel lack of anything. When the intrigues of Mukhoyarov and Tarantiev reach their peak, P. decisively renounces both the "brother" and the "godfather."
Dedicated to taking care of Oblomov, P. lives as fully and diversely as she has never lived before, and her chosen one begins to feel as if in his native Oblomovka: “... he quietly and gradually fit into the simple and wide coffin of the rest of his existence, made with their own hands, like the desert elders who, turning away from life, dig their own grave. "

P. and Oblomov have a son. Understanding the difference between this child and the children from her first husband, P. after the death of Ilya Ilyich meekly gives him up to be raised by the Stolts. Oblomov's death introduces a new color into the existence of P. - she is the widow of a landowner, a master, which is constantly reproached by her "brother" and his wife. And although P.'s lifestyle has not changed in anything (she still serves the Mukhoyarov family), the thought that “she lost and her life shone brightly, that God put her soul into her life and took it out again ... now she already knew why she had lived and that she had not lived in vain ... Rays spilled over her whole life, a quiet light from the seven years that had flown by as one instant, and she had nothing more to wish for, nowhere to go.

P.'s unselfishness was given to understand in the end of the novel and Stolz: she does not need his reports in the management of the estate, just as income from Oblomovka, which Stolz has put in order, is not needed either. The light of P.'s life went out together with Ilya Ilyich.

Composition by Olga Ilyinskaya and Agafya Pshenitsyna

Love is one of the key problems in the work of the great Simbirsk writer Goncharov "Oblomov". Ilya Ilyich Oblomov is the center of two love stories. In his life there were two women, completely different, unlike each other. They both made a huge contribution to his life, but each his own. Let's compare these two undoubtedly great women in the life of the hero, their characters and their contribution to the image and character of the protagonist.

Olga Ilyinskaya is a sophisticated lady with an incredibly subtle mental organization. Ilya Ilyich's meeting with her was a gift of fate for him. He was incredibly lucky on the day of their meeting and acquaintance. His life would not be so eventful without her, even if for such a short time.

Olga was a creative girl, she loved literature, theater, had a great musical talent. This is what brought life to the passive existence of the hero. Thanks to her irresistible desire to develop, Oblomov was still able to get up from his couch for a while, take off his robe and start acting. Olga began to take him to the opera, to the theater. It was thanks to her that the hero began to feel at least something. Something seemed to turn over in his soul with her appearance.

Olga's true desire was to change the hero, revive him, make him feel. She did not want to put up with his being, but sought to destroy his habits, making him live, not exist. This is what a decisive, courageous girl does, ready to do anything for the sake of love.

However, the hero was not ready for such drastic changes. He did not want to put off his beloved robe forever for the sake of some love adventures that only tired him. He broke Olga's heart. However, they forever remained the brightest love for each other. After all, there was no more passionate love in his life.

Agafya Pshenitsyna became the second and last woman in the life of Ilya Ilyich. Her character was radically different from Olga's. She was not at all tempted to change Ilya. He suited her the way he was. With a book open on the same page, with a robe, on a soft sofa. She only contributed to his regression, his degradation as a person. Agafya served him in every possible way, brought food, cleaned up.

Their life was absolutely synonymous with life in Oblomovka. This was the kind of life Ilya longed for. It was much more comfortable for him to live with Agafya, with her measured character.

Such a life could not lead to anything good, but Agafya did not understand this. It was enough for her that it was just convenient for them to live with each other. Such a passive life, devoid of movements and emotions, led not only to the death of Oblomov as a person, but also as a person.

Thus, we can conclude that these two different women changed the hero's life, they brought love into his life, only the stories turned out to be opposite. One story - filling with emotions, passionate, vivid. And the other is slow, measured, calm. The hero made his choice and, subsequently, paid for it.

We cannot blame him for this choice, because every person comes from childhood, and it can be extremely difficult to change him, no matter how much the other person wants it.

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